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Sound Writing As the lathe-cut record is fragile, the vinyl groove is slightly damaged with each pass of the stylus. Like the banjo project, I was interested in how memory and nostalgia frame aesthetic experience. The lathe-cut vinyl became an ideal vehicle, as the object transforms over time with the content eventually disappearing into the realm of memory. I was also considering the structuralist films of Tony Conrad and Stan Brakhage as well as Christian Marclay's "Record Without a Cover", where the experience of audio or visual content brings us back to the physicality of the media object. The object is not simply a vessel but becomes a site of the aesthetic experience. Artists were asked to contribute a work specifically exploring this medium of erasure. Because of the nature of the project, no significant digital documentation exists. |
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Mar. 10 @ Dependent Art Fair, NYC
installation w/ Soloway
Apr. 4 @ Issue Project Room, Brooklyn
performance/installation with Sergei Tcherepnin
archived calendar